![]() ![]() Part two follows on from this, and details his contact with a technological civilisation that aspires to reform and reclaim the wasteland. Part one is a highly entertaining story that follows the adventures of the main character as he journeys across the remnants of a disaster-ravaged North America. Originally, it comprised three short novels that were later collated into a longer book in three parts. In a nutshell, the film is a somewhat different adventure featuring the same character, setting and premise.Īlthough a great read, the source novel has some problems of its own. When not looking sexy in handknits, she shows spirit, which, in these circumstances, is optimistic.The Postman is loosely based on the book of the same name, and like all adaptations, the filmmakers were faced with choices over the content. "You're really weird," he keeps telling her. Olivia Williams has the thankless task of bedding Kev. His dyed hair and expensive dental work add a touch of glamless Seventies nostalgia. Tom Petty makes an appearance, looking as though he's spent too many late nights with Bob Dylan. The performances are cartoonish, excitable or dull. As a director, he is so casual with detail he might not have been there. Inside this monumental mishmash of gagging sentimentality and unapologetic flannel for a restored United States, where multi-ethnic youth fight the good fight against ignorance and brutality, the germ of an idea (you are responsible for other people's perception of you) is washed away in the broad sweep of Costner's vision, which recreates apects of Wolves - the reluctant hero, the gutsy heroine, the vastness of nature's handywork - while overindulging the romance of slo-mo, the crass cruelty of Bethlehem, the communications metaphor.Īs an actor, Costner plays his trademark laid-back, soppy-hearted loner, offering nothing new. The postman, after all, has been out there and knows what's going on. Being a mail courier at a time when no one writes letters is an intriguing career move and one that gives him an almost mythical status amongst the scattered communities. Costner swipes his bag, hat and jacket and assumes the role. The skeleton of the postie is still inside. At the first opportunity he jumps into a raging torrent and escapes, taking refuge in a post van that appears to have missed a turning, ending up in the middle of a wood. If goodies are not forthcoming, they shoot the place up.Ĭostner is a travelling troubadour, who gets snatched by The Nasties, taken to Camp Hell and put through basic training. Beth's Boys trot into town, collect goodies from the natives and leave. The only people on the move are cadres of bad guys, under the command of fascist wannabe, Gen Bethlehem (Will Patten), carrying real guns with real ammo and riding seriously smart horses. ![]() They have good haircuts and sophisticated cosmetics. They don't have cars or telephones or computers. Those that remain, the survivors, live in small towns or enclaves, unaware of each other's existence. The United States doesn't exist any longer, although it sort of does in pockets - big hills, rivers, cliffs, forests (see American Tourist Board trekkers' guide). Kevin Costner waited years after his triumphant directorial debut ( Dances With Wolves), discarding scripts by the bin bag, before finally chosing this. If he does, you're lumped with Waterworld.įirst things first: this is not a remake of Il Postino. If the writer doesn't cheat, you have Stalker. Otherwise they drive you nuts with boredom. Post-apocalyptic movies tend to be fanciful.
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